{"id":275,"date":"2019-11-04T14:15:42","date_gmt":"2019-11-04T14:15:42","guid":{"rendered":"https:\/\/katherinemanthorne.com\/historian_art_women\/?p=275"},"modified":"2020-05-19T11:52:39","modified_gmt":"2020-05-19T11:52:39","slug":"new-book-about-women-studio-photographers-in-the-nineteenth-century","status":"publish","type":"post","link":"https:\/\/katherinemanthorne.com\/historian_art_women\/2019\/11\/04\/new-book-about-women-studio-photographers-in-the-nineteenth-century\/","title":{"rendered":"Forthcoming Book by Katherine Manthorne About Women Studio Photographers in the Nineteenth Century"},"content":{"rendered":"<p><em><strong>Women in the Dark: Female Photographers in the United States, 1850-1900.<\/strong>\u00a0<\/em>Atglen, PA: Schiffer Publishing. Pub date 2020<\/p>\n<p><a href=\"https:\/\/www.schifferbooks.com\/women-in-the-dark-female-photographers-in-the-us-1850a-1900-6932.html\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-276 size-large\" src=\"https:\/\/katherinemanthorne.com\/historian_art_women\/wp-content\/uploads\/2019\/11\/womanDaguerreoCameraSitterNelson-863x1024.jpg\" alt=\"\" width=\"604\" height=\"717\" srcset=\"https:\/\/katherinemanthorne.com\/historian_art_women\/wp-content\/uploads\/2019\/11\/womanDaguerreoCameraSitterNelson-863x1024.jpg 863w, https:\/\/katherinemanthorne.com\/historian_art_women\/wp-content\/uploads\/2019\/11\/womanDaguerreoCameraSitterNelson-253x300.jpg 253w, https:\/\/katherinemanthorne.com\/historian_art_women\/wp-content\/uploads\/2019\/11\/womanDaguerreoCameraSitterNelson-768x912.jpg 768w, https:\/\/katherinemanthorne.com\/historian_art_women\/wp-content\/uploads\/2019\/11\/womanDaguerreoCameraSitterNelson.jpg 1647w\" sizes=\"auto, (max-width: 604px) 100vw, 604px\" \/><\/a><\/p>\n<p>Photo courtesy Nelson-Atkins Museum, Kansas City MO, reproduced under fair use, etc.<\/p>\n<p>Beginning with the invention of the Daguerreotype, a surprising number of enterprising women took advantage of the new technology to establish themselves in the nascent business of studio photography. While many women worked for male-owned studios as retouchers, or as darkroom technicians. At a time when the kinds of businesses they could operate were limited, women were encouraged to open photography studios across America. By the 1860s a surprising number of these entrepreneurs were making their mark. Drawing on private and public collections, this profusely illustrated volume will serve both as a narrative history, and as a reference book. Publication date will be Fall 2020.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-279 size-large\" src=\"https:\/\/katherinemanthorne.com\/historian_art_women\/wp-content\/uploads\/2019\/11\/VI-i-A-Bloomer632_cropped-626x1024.jpg\" alt=\"\" width=\"604\" height=\"988\" srcset=\"https:\/\/katherinemanthorne.com\/historian_art_women\/wp-content\/uploads\/2019\/11\/VI-i-A-Bloomer632_cropped-626x1024.jpg 626w, https:\/\/katherinemanthorne.com\/historian_art_women\/wp-content\/uploads\/2019\/11\/VI-i-A-Bloomer632_cropped-183x300.jpg 183w, https:\/\/katherinemanthorne.com\/historian_art_women\/wp-content\/uploads\/2019\/11\/VI-i-A-Bloomer632_cropped-768x1256.jpg 768w, https:\/\/katherinemanthorne.com\/historian_art_women\/wp-content\/uploads\/2019\/11\/VI-i-A-Bloomer632_cropped.jpg 1390w\" sizes=\"auto, (max-width: 604px) 100vw, 604px\" \/><\/p>\n<p>Portrait of feminist &amp; clothing reformer Amelia Bloomer (1818-1894) in a &#8220;Reform Dress&#8221; (aka Bloomers) Carte-de-Visite, ca. 1859. Private Collection<\/p>\n<p>Order here. Click on the image below<br \/>\n<a href=\"https:\/\/www.schifferbooks.com\/women-in-the-dark-female-photographers-in-the-us-1850a-1900-6932.html\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/katherinemanthorne.com\/historian_art_women\/wp-content\/uploads\/2019\/11\/978-0-7643-6016-9.jpg\" alt=\"\" width=\"345\" height=\"386\" class=\"alignleft size-full wp-image-357\" srcset=\"https:\/\/katherinemanthorne.com\/historian_art_women\/wp-content\/uploads\/2019\/11\/978-0-7643-6016-9.jpg 345w, https:\/\/katherinemanthorne.com\/historian_art_women\/wp-content\/uploads\/2019\/11\/978-0-7643-6016-9-268x300.jpg 268w\" sizes=\"auto, (max-width: 345px) 100vw, 345px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Women in the Dark: Female Photographers in the United States, 1850-1900.\u00a0Atglen, PA: Schiffer Publishing. Pub date 2020 Photo courtesy Nelson-Atkins Museum, Kansas City MO, reproduced under fair use, etc. Beginning with the invention of the Daguerreotype, a surprising number of enterprising women took advantage of the new technology to establish themselves in the nascent business &hellip; <a href=\"https:\/\/katherinemanthorne.com\/historian_art_women\/2019\/11\/04\/new-book-about-women-studio-photographers-in-the-nineteenth-century\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Forthcoming Book by Katherine Manthorne About Women Studio Photographers in the Nineteenth Century<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-275","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/katherinemanthorne.com\/historian_art_women\/wp-json\/wp\/v2\/posts\/275","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/katherinemanthorne.com\/historian_art_women\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/katherinemanthorne.com\/historian_art_women\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/katherinemanthorne.com\/historian_art_women\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/katherinemanthorne.com\/historian_art_women\/wp-json\/wp\/v2\/comments?post=275"}],"version-history":[{"count":9,"href":"https:\/\/katherinemanthorne.com\/historian_art_women\/wp-json\/wp\/v2\/posts\/275\/revisions"}],"predecessor-version":[{"id":359,"href":"https:\/\/katherinemanthorne.com\/historian_art_women\/wp-json\/wp\/v2\/posts\/275\/revisions\/359"}],"wp:attachment":[{"href":"https:\/\/katherinemanthorne.com\/historian_art_women\/wp-json\/wp\/v2\/media?parent=275"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/katherinemanthorne.com\/historian_art_women\/wp-json\/wp\/v2\/categories?post=275"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/katherinemanthorne.com\/historian_art_women\/wp-json\/wp\/v2\/tags?post=275"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}