{"id":18,"date":"2019-10-09T17:06:38","date_gmt":"2019-10-09T17:06:38","guid":{"rendered":"https:\/\/katherinemanthorne.com\/historian_art_women\/?page_id=18"},"modified":"2023-03-12T15:59:17","modified_gmt":"2023-03-12T15:59:17","slug":"author","status":"publish","type":"page","link":"https:\/\/katherinemanthorne.com\/historian_art_women\/author\/","title":{"rendered":"Author"},"content":{"rendered":"

BOOKS<\/strong><\/span><\/h3>\n

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\nFidelia Bridges: Nature into Art<\/a><\/em>. Lund Humphries. London, England. UK. 2023<\/p>\n

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\nRestless Enterprise: The Art and Life of Eliza Pratt Greatorex<\/em><\/strong><\/a>. University of California Press. Pub date fall 2020.<\/p>\n

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\nWomen in the Dark: Female Photographers in the United States<\/strong><\/a>, 1850-1900.\u00a0<\/i>Atglen, PA: Schiffer Publishing. Pub date 2020.<\/p>\n

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\nFilm and Modern American Art. The Dialogue Between Cinema and Painting<\/em><\/strong><\/a>. (Routledge Advances in Art and Visual Studies). Routledge. 2019.<\/p>\n

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\nThe Rockies and The Alps: Bierstadt, Calame and the Romance of the Mountain<\/a>s<\/em><\/strong>. [Co-Author with Tricia Laughlin Bloom, with an essay by Patricia Mainardi]. D. Giles Ltd. U.K. 2018<\/p>\n

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\nCalifornia Mexicana: Missions to Murals 1820-1930<\/em><\/a>.<\/strong> University of California Press. 2017\u00a0(Published in association with the Laguna Art Museum, and as part of the Getty’s Pacific Standard Time: LA\/LA.)<\/p>\n

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\nTraveler Artists: Landscapes of Latin America from the Patricia Phelps de Cisneros Collection<\/strong><\/a>.\u00a0<\/span><\/i>Seattle, WA: Marquand Press, to appear Fall 2015. [Editor & Author]<\/p>\n

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\nEliza Pratt Greatorex: Becoming a Landscape Painter<\/em><\/strong>. [essay by Kathie Manthorne]. Siegel, Nancy [Editor] \u00a0The Cultured Canvas. New Perspectives on American Landscape Painting<\/em><\/strong><\/a>. University Press of New England. 2012<\/p>\n

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\nLuminist Horizons. The Art and Collection of James A. Suydam<\/a>.<\/strong>\u00a0<\/span><\/i>New York: George Braziller, in conjunction with exhibition, National Academy of Design, 2006. Co-author\u00a0Mark Mitchell.<\/p>\n

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\nEarly Art Matronage & the American Art Museum, 1870-1900: New York, Chicago & San Francisco.<\/strong><\/em> [essay by Katherine Manthorne] Before Peggy Guggenheim<\/em>.<\/strong><\/a> Rosella Momoli-Zorzi [Editor] Marsilio Editori. Venice. 2001.<\/p>\n

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\nThe Landscapes of Louis Remy Mignot: A Southern Painter Abroad<\/a>.<\/strong>\u00a0<\/span><\/i>With John Coffey. Washington, D.C.: Smithsonian Institution Press, 1996.<\/p>\n

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\nEl Bar\u00f3n de Courcy: Ilustraciones de un viaje 1831-1833<\/em><\/strong><\/a> (Baron de Courcy: Illustrations from a Voyage) (Spanish Edition) by Pablo Diener and Katherine Manthorne | Jan 1, 2004<\/p>\n

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\n“Legible Landscapes: Text and Image in the Expeditionary Art of Frederic Church” [essay by Katherine Manthorne] \u00a0Surveying the Record: North American Scientific Exploration to 1930<\/em><\/strong><\/a>. Edited by Edward C. Carter. American Philosophical Society. Philadelphia. 1999<\/p>\n

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The Art of Juan Manuel Blanes<\/em><\/strong><\/a>. Haber, Alicia [Author and editor] Contributors: Assuncao, Octiavio C., Manthorne, Katherine E., and Sullivan, Edward J. Fundacion Bunge y Born. Buenos Aires. In collaboration with the Americas Society. New York. 1994<\/p>\n

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Tropical Renaissance. North American Artists Exploring Latin America, 1839-1879<\/a>.\u00a0<\/span><\/i><\/strong>Washington, D.C.: Smithsonian Institution Press, 1989.<\/p>\n

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Creation and Renewal: Views of Cotopaxi by Frederic Edwin Church.<\/i><\/strong><\/a>[with Fiske, Richard S. and Nielsen, Elizabeth]. Smithsonian Institution. National Museum of American Art. Washington DC. 1985<\/p>\n

Exhibition Catalogues & Essays<\/b><\/p>\n

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\u201cLand Icon Nation: Overview,\u201d\u00a0<\/span><\/strong>Picturing the Americas. Landscape Painting from Tierra del Fuego to the Arctic<\/strong><\/a>.\u00a0<\/span><\/i>New Haven and London: Yale University Press, 2015, pp. 18-21.<\/p>\n

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The Unity of Nature. Alexander von Humboldt in the Americas<\/i>.<\/strong> NY: Americas Society, 2014. Nominated for the Alice Award.<\/p>\n

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\u201cA Woman\u2019s Perspective on the Industrial Sublime,\u201d<\/strong> in\u00a0<\/span>The Industrial Sublime: The Hudson River Transformed, 1900-1950.<\/strong><\/a>\u00a0<\/span><\/i>Yonkers, NY: Hudson River Museum, 2013.<\/p>\n

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Worlds Between: The Landscapes of Louis R\u00e9my Mignot<\/strong><\/a>.\u00a0<\/span><\/i>Catskill, NY: Thomas Cole National Historic Site, 2012. Author & guest curator.<\/p>\n

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\u201cSweet Destiny: Anglo-American Traveler-Artists in the Caribbean, 1714-1898,\u201d<\/strong> pp. 90-105, in\u00a0<\/span>Caribbean: Art at the Crossroads of the World.\u00a0<\/span><\/i>New Haven & London: Yale University Press, 2012. (This publication accompanied exhibition, El Museo del Barrio)<\/p>\n

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Hudson River Contemporary. Works on Paper<\/strong>.\u00a0<\/span><\/i>Garrison, NY: Boscobel House & Garden, 2011. Accompanied exhibition co-organized with James L. McElhinney & Doctoral Students, Grad Center, CUNY.<\/p>\n

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\u201cPainters, Politics, and Pastries: How New York became a Cultural Crossroads of the Americas, 1848-1899\u201d<\/strong> in\u00a0<\/span>Nueva York.\u00a0<\/span><\/i>NY: New-York Historical Society with Scala Books, 2010.<\/p>\n

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\u201cMetropolis as Muse,\u201d<\/strong> in\u00a0<\/span>Glorious Skies: Herbert Katzman\u2019s New York.\u00a0<\/span><\/i>NY: Museum of the City of New York, 2010.<\/p>\n

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Fern Hunting Among These Picturesque Mountains. Frederic Edwin Church in Jamaica.<\/strong>\u00a0<\/span><\/i>Ithaca & London: Cornell University Press, 2010. Accompanied exhibition of same name at Olana State Historic Site, Hudson, NY. Co-authored with Elizabeth Kornhauser.<\/p>\n

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Home on the Hudson. Women and Men Painting Landscape, 1825-1875<\/strong>.\u00a0<\/span><\/i>Garrison, NY: Boscobel House & Garden, 2009. Guest Curator of student-executed exhibition.<\/p>\n

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\u201cArt School as Contact Zone: Latin American Artists & their Teachers,\u201d<\/strong>\u00a0<\/span>Nexus New York: Latin\/ American Artists in the Modern Metropolis<\/i>. NY: El Museo del Barrio, 2009, pp. 46-59.<\/p>\n

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\u201cJohn Sloan, Moving Pictures, and Celtic Spirits,\u201d<\/strong> in\u00a0<\/span>Seeing the City: John Sloan\u2019s New York.\u00a0<\/span><\/i>Delaware Art Museum, in conjunction with Yale University Press, 2007.<\/p>\n

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\u201cPaesaggi tropicali e esotici,\u201d<\/strong> (The Tropical and Exotic Landscape) in\u00a0<\/span>America! Storie di pittura dal nuovo mondo\u00a0<\/span><\/i>(Brescia, Museo di Santa Giulia, 24 November 2007- 4 May 2008): 187-208. Linea d\u2019Ombra. Treviso. 2008<\/p>\n

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Explorar el Eden. Paisaje Americano del Siglo XIX.<\/em><\/strong> [Essay contributor] Thyssen-Bornemisza Collection. Madrid. 2001<\/p>\n

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BOOKS Fidelia Bridges: Nature into Art. Lund Humphries. London, England. UK. 2023 Restless Enterprise: The Art and Life of Eliza Pratt Greatorex. University of California Press. Pub date fall 2020. Women in the Dark: Female Photographers in the United States, 1850-1900.\u00a0Atglen, PA: Schiffer Publishing. Pub date 2020. Film and Modern American Art. The Dialogue Between … Continue reading Author<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-18","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/katherinemanthorne.com\/historian_art_women\/wp-json\/wp\/v2\/pages\/18","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/katherinemanthorne.com\/historian_art_women\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/katherinemanthorne.com\/historian_art_women\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/katherinemanthorne.com\/historian_art_women\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/katherinemanthorne.com\/historian_art_women\/wp-json\/wp\/v2\/comments?post=18"}],"version-history":[{"count":126,"href":"https:\/\/katherinemanthorne.com\/historian_art_women\/wp-json\/wp\/v2\/pages\/18\/revisions"}],"predecessor-version":[{"id":502,"href":"https:\/\/katherinemanthorne.com\/historian_art_women\/wp-json\/wp\/v2\/pages\/18\/revisions\/502"}],"wp:attachment":[{"href":"https:\/\/katherinemanthorne.com\/historian_art_women\/wp-json\/wp\/v2\/media?parent=18"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}